Last year, when I created Generations as a homage to the many generations that built St. Philip’s Anglican Church in Dunbar (to honour the church’s 90th anniversary), the idea came to me of tying together a narrative of music with a story line.
The first rule of such an approach is to avoid hitting the audience over the head with the story, so I left a lot to their intelligence and their own personal creativity to figure out.
The music selections where lightly connected to the idea of intergenerational connections (A string quartet by “Pappa” Haydn, Songs my Mother Taught Me by Antonin Dvorak, and the feature work, Timepieces by Jeffrey Ryan, which I had commissioned as a memorial to my own father).
This year’s concert part of The Tárogató Project springs from a similar idea—it weaves together three distinct stories:
1) The musical part is a journey through the literature (or some of it) of Hungarian music (from simple shepherd’s songs to grand Romance to newly commissioned works for the tárogató),
2) the next part explores the story of the Hungarian refugees, particularly those from the University of Sopron who came to Vancouver and made a positive impact on the city, UBC, and forestry practices in BC, and
3) the final story deals with the contemporary unfolding drama of today’s refugees and the challenges they face making their new home, Vancouver, home.
The music will weave its own thread leaving the other two stories to drive the narrative (and the music to provide meditation points).
The date is 30 April 2017 (4pm) at St. Philip’s Church (Dunbar).