Archive for Music Matters

My Six Keys to Achieving Excellence

I just read Tony Schwartz’s recent blog on the Harvard Business Review describing the six keys to achieving excellence. I enjoyed it and was inspired. Then, I thought how my music training, apart from providing a lifetime of enjoyment playing music, has given me a first-hand experience achieving excellence. Sometimes, I forget that not all people have had that excellence, so they don’t know why things are tough or don’t they don’t get the results they want.

I’ve taken Mr. Schwartz’s six points and applied them to my experience in music to draw some inspiration in other areas of my life where I feel, er, less accomplished:

  1. Pursue what you love. This is a no brainer as nobody in their right mind would pursue music for any reason other than he or she loves it. A couple of years ago when I started questioning the wisdom of leaving a promising career as an orchestral musician for technical writing (what?), I had an epiphany that has helped me rejig my career back into something I can say I love.
    I was using my head to make big decisions (what shall to do with my life?) and my heart to make small ones (what should I have for lunch today?). I should have been doing the exact opposite.
    I realized I’d been directing my life to things that were rational and, um, boring instead of inspiring. On a daily basis, I was being capricious in a way that was essentially undermining my plans. I needed to start doing the exact reverse: plan my life from my heart and my daily affairs from my head. “How do you get to Carnegie Hall?” — “Practice!”
  2. Do the hardest work first. In music, the fastest way to do something is slowly. Orchestral musicians meticulously dissect a passage of music until they can play it with ease. Getting to the ease part can take a long time and a lot of patience, but things don’t necessarily come easy—even in music.
  3. Practice intensely, I think people imagine that playing music is relaxing. Well, it is but only after conquering the Himalayan peaks of practice. I don’t know whether musicians practice because they love music or they love music because they practice so much. I think I practiced my way into loving music. It became all consuming in the best possible way. Don’t do things by half measure.
  4. Seek expert feedback, in intermittent doses. There is nothing so humbling as bearing your soul before a more accomplished musician. I’ve always been suspicious of the self-taught musician. How can anyone grow surrounded only by there own opinions and habits? There’s no better way to acquire new abilities and to go beyond what you thought yourself capable of than by seeking out an expert to help you reach your goals.
  5. Take regular renewal breaks.When I studied at the Banff Centre for the Arts, we would play chamber music in the morning and then go skiing in the afternoon. By the next day we were indeed renewed. Besides, when you’re doing what you love (or loving what you do), you’re integrating new information all the time—even when you’re asleep.
  6. Ritualize practice. As a musician, I really liked playing scales. It was like a morning ritual. I had the most brutally difficult study book I’d found somewhere. It was called, “Vade Mecum” which I think means “Take along companion” and it was actually written for flute. It included every possible scale and arpeggio configuration in every register. Two hours of that and I felt like I could wrestle a bear!

Balkan Music: Re-Thinking Dissonance

This article was published in July on the Vancouver Observer website. In it, I explore the idea as dissonance as valuable in its own right (not all dissonances have to be resolved) through the medium of the rich and exotic world of Balkan music. Below, I’ve included a short excerpt, all the images, and a link to the complete article.

“In her book, Dancing in the Streets: A History of Collective Joy, author and cultural historian Barbara Ehrenreich contrasts the “epidemic of melancholia” that pervades much of the modern world with the “phenomenon of communal, shared ecstatic ritual” that existed in our own culture even until the 17th century.

“Western tonal music is based on the dichotomy of dissonance and consonance where unstable dissonances seek their resolutions to consonant sonorities”, states Kalin Kirilov, the camp’s expert on Bulgarian harmony. “If you compare music to energy”, he continues, “the dissonances carry a more powerful charge in comparison to the consonances.”

Read the full article on the VO site. It’s been renamed The Balkan Music and Dance Workshops: re-thinking dissonance originally published 29 July, 2011.

Pedal power and the builders of musical instruments in Vancouver

Last December, I developed an interest in Vancouver’s hidden music makers—the builders of musical instruments. I wrote a double-barrelled story about natural fibre horn maker, David Gowman, and harpsichord maker, Craig Tomlinson.  Now, let me tell you about the Furnaphone, and why “anything’s a potential instrument.”

Drummer Dan keeps his carbon footprint small getting to his next gig.

Drummer Dan keeps his carbon footprint small getting to his next gig.

With Bike to Work Week, Velopoloosa, and the In the House Festival all converging this weekend, the stage is set to highlight another fascinating musical instrument maker, Daniel Lunn.

Daniel is making a name for himself as a drummer (and guitarist) around town, but for someone who plays an instrument that is legendary for its lack of portability, it’s his mode of transportation that caught my attention—by bicycle.

» Read more..

Get your Brit on – at VanDusen Gardens

I was initially drawn to VanDusen Gardens this rainy Victoria Day week-end through a friend, and fellow musician. He posted a concert on Facebook of the Little Mountain Brass Band‘s forthcoming performance at Van Dusen Gardens, although the main event was the British Classic Car Show. Hosted by Western Driver, the car shows draws classic auto enthusiasts and gawkers of many stripes from around Vancouver, BC, and several US states to the south.

For $14, I got to hear a little bit of sweet band music and see more Morgans, Triumphs, Minis, Metropolitains, Bentleys, Rovers, and MGs as well as more brollys than I may ever need to see again. In fact, with the re-appearance of the rains, it gave me an added sense of Britishness to stiff-upper-lip it with the tweed set, hobnobbing with those who’d prefer to debate shades of hunter green than, say, head to the beach.

More pictures on Vancouver Observer site.

Music Review: Ederlezi strikes gypsy heart in Strathcona

I was at a Balkan music festival and was compelled to write a review (compelled and too stoked to sleep). Below is an excerpt from the review posted on the Vancouver Observer site.

Orkestar Slivovica

Orkestar Slivovica at the Russian Hall

Tonight, I attended part one of the two-part concert week-end known as Ederlezi – Balkan Brass Festival (6-7 May at the Russian Hall). Billed as a “Roma Spring holiday”, it features no fewer than three Balkan-style brass bands: Orkestar Zirkonium from Seattle, Brass Menazeri from San Francisco, and our own Orkestar Slivovica. There were also two lovely belly dance troupes, (and assorted vendors of Balkan eats and drinks), but the stars of the show are the brass bands.

The evening began with Orkestar Slivovica, which I thought was playing a little more up tempo than the last time I heard them at the Ukrainian Hall. Perhaps, they were intimidated by the quicker and sharper performances of their American counterparts. Gradually, they eased into their signature pelvic back beat and things began to heat up. That’s the thing about this music: if you’re not willing to let go with the hips, you’re not going to enjoy it. But they let go, and so did we—especially as the Šljivovica (Balkan plum brandy) started flowing.