With stories of refugees making subzero journeys across Canada’s shared border with the US, the world’s refugee crisis has just attained a new low. I’m not making hay out of blowhards like Trump and his band of orcs with this concert, but it certainly has made any artistic treatment of refugees timely.
The planned concert coincides with the 60th anniversary of the arrival of the Sopron refugees to Vancouver, but I’m neither Hungarian nor a refugee. My connection is through the hauntingly beautiful tárogató—a national instrument of the Hungarians—which I play.
I was fortunate enough to receive a BC Arts Council grant to commission two new pieces for the tárogató, which I will perform on a concert at St. Philip’s Church (Dunbar) 30 April.
Jeffrey Ryan’s Arbutus for tárogató and piano is full of turbulence, optimism, and a most beautiful melancholy. In Jeffrey’s words, “In Arbutus…the bends and ornaments of traditional tárogató playing are an integral part of both soundworlds, and the piano’s tremolos are reminiscent of the cimbalom. The title, Arbutus, comes from the arbutus tree so common in British Columbia, but not native to Hungary, again reflecting the “newness” of the Soproners’ new home.
Adam Hill’s I Will Stay Here presents a different challenge, at least for me, of working with electronics. Adam layers spoken word recordings Hungarian and Syrian refugees with processed sounds of the tárogató (I previously recorded these for him). Even though this concert endeavours to steer clear of politics, Hill’s piece beautifully presents the very real-world challenge for me as a musician is to retain my humanity and focus instead on individual human journeys while playing against a pre-recorded accompaniment—much like the theme of the concert itself.
Read more about the Tárogató Project.